LINE DEVELOPMENT STUDIO PROJECT
(SPRING 2026)
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a brand built on innovative craftsmanship and the idea that
clothing should challenge expectations, not reinforce them.
The name comes from the Greek word for framework:
structure that shapes without always being seen.
That's the foundation of how we design.
Meet the team
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JOHNATHAN HAM
TEAM LEAD
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JASON BALOYO
FINANCIALS + ECOMMERCE
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MARGARET CONROY
MARKETING + SOCIAL MEDIA DIRECTOR
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GREYSON FOSTER
BRANDING DIRECTOR
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NICOLE GEISBERTZ
LEAD DESIGN
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SOPHIE ROUTH
BRANDING + DESIGN
SCHEMA ASKS ONE QUESTION;
WHY CANT IT JUST BE ABOUT THE CLOTHES?
Our Fall/Winter 2027 collection is entitled INTÉRIM: named for the space between fixed points.
Between structure and fluidity. Between who you are and who you're becoming.
Every piece in our collection is built around adaptability: adjustable construction, modular elements, and materials.
Cotton gabardine, twills, and ribbed knit details: all chosen for how they construct and respond to the wearer.
What you're about to see is clothing designed to evolve and change with the person wearing it. Not to define them.
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For our 8 looks, adjustability was a key focus in our approach, we want to allow our consumers to change the length whether it be the pant or sleeve, giving them the ability to wear our clothes any way they’d like, high, low, or somewhere in between
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A workwear silhouette resolved in a sharp gray tone, where uniformity sharpens focus and the jacket’s green under-collar acts as a controlled point of contrast. Subtle disruption emerges through detail rather than color.
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our tailored ensemble built on collision. An Aurora Red ribbed turtleneck warms the ensemble, while the trouser's built-in skirt layer rewrites the suit from the waist down.
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A two-piece silhouette built on hem geometry, where the shirt drops into two sharp V’s and the trouser cuffs roll up and button, turning the body into a series of clean horizontal breaks.
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Buttons on the Austin henley turtleneck align with those on the Tyler poncho, creating a clean, continuous line across layers. A pleated kilt anchors the look, with structure coming from the sharpness of its folds.
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A soft proportioned pairing where the shirt's shoulder buttons pull the neckline into an asymmetric column and the culotte's knife pleats open into full movement below the knee, formal in structure but loose in gesture.
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A gunmetal proposition that tempers biker-uniform aggression into something quieter, redirecting utility into restraint. The silhouette balances weight and fluidity, softening traditional toughness.
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a relaxed proposition, where knit and trouser trade the quiet register of loungewear for something a bit more more considered. The cardigan's cable texture and the pant's button-seam detail pull tailoring language into soft construction.
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A study in long, lean verticals, where three black cotton pieces layer into a single architectural column that reads as one continuous gesture rather than three separate garments. Tough Cotton protects the Salem's; the coat collapses into one uninterrupted line from throat to hem.